The Elm Dance
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Around the planet, as people gather to work together for the healing of our world, a simple, beautiful practice is spreading. To celebrate their commitment to life and solidarity with activists the world over, they join hands in a circle dance. Set to the haunting strains of a Latvian song by Ieva Akuratere, and choreographed by Anastasia Geng, the Elm Dance took form in Germany in the 1980s. In 1992, having learned it from my friend Hannelore, I took the Elm Dance with me to workshops I was leading with a Russian-speaking team in areas poisoned by the Chernobyl disaster. There, and especially in Novozybkov, the most contaminated of inhabited cities, the dance became an expression of their will to live. It was here the dance evolved a distinctive form with the raising and swaying of arms, evoking their connection with the trees they so loved.
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The Story of the Elm DanceThere is a circle dance we do in every workshop and class I teach, whether it's on systems theory, Buddhism, or deep ecology. We do it to open our minds to the wider world we live in and strengthen our intention to take part in its healing. Each time we put on the music and link hands, I think of Novozybkov in the fall of 1992. Our team of four, Fran and I and two Russians, had been traveling from one town to another in Byelorussia and Ukraine, offering workshops to people living in areas contaminated by the Chernobyl disaster. Now we had come to this final town in Novozybkov, an agricultural and light industrial city of 50,000 a hundred miles east of Chernobyl, in the Bryansk region of Russia. Drawing on what we learned from years of leading despair work, we came to offer, as we put it to the authorities, "psychological tools for coping with the effects of massive, collective trauma." We had entitled the workshops Building a Strong Post-Chernobyl Culture. The name had a nice Soviet ring to it, but I soon realized that the word "post" was in error. "It suggests that the disaster is over," I said to Fran, "but it has become obvious to us that it isn't over. It compounds itself through time in vicious circles, in positive feedback loops." The radioactivity was still spreading silently through wind, water, food, creating new toxins as it mixed with industrial pollution, and sickening bodies already weakened from previous exposures. Our workshops, we soon realized, were meant not to help people recover from a catastrophe, so much as to live with an ongoing one.
INSTRUCTIONS FOR THE ELM DANCE, as Evolved in Solidarity with the People of NovozybkovCircle up with plenty of room to move, holding hands. If the numbers are too great to form a single circle, make concentric circles with about one large step of distance between them.
INSTRUCTIONS FOR THE ELM DANCE, as Evolved in Solidarity with the People of Novozybkov It does not matter when in the music you begin the dance, except to start on a beat. The dance consists of four beats of movement, alternating with four beats of swaying in place. When swaying in place, imagine that you can feel the energy from the heart of the Earth spiraling up through the floor into your body. When the energy reaches the heart chakra, send it out for the healing of the elms and all beings. This is an act of intention. Anastasia Geng who created the dance from the Latvian song, said the purpose of the dance is for building strong intention.
INSTRUCTIONS FOR THE ELM DANCE, AS ORIGINALLY CHOREOGRAPHED BY ANASTASIA GELMThe Elm Dance as it has come to be used in solidarity with the people of Novozybkov differs from the original dance designed by Anastasia Geng. I am grateful for the beauty and meaning that surround each version of the dance; both are offered on this website.
The Elm Dance description that follows was translated by Marianne von Schwichow from Anastasia Geng: Bach-Blueten-Taenze, Mechthild Scheffer GmbH, Hamburg, 1996 ELM - ULME The most important element of this dance is an intense circling around oneself, describing a spiral with your body, both feet next to one another in close contact to the earth. This is a very personal movement and we do not define the direction (i.e. you are free to circle clockwise or counter-clockwise). We join hands for the whole dance and after the introduction and the first 8 beats of the song we take 4 steps backwards in dance direction (counter-clockwise), then circle (4 beats) as described above facing centre, followed by 4 steps forward in dance direction. Circle again facing centre and take 4 steps towards the centre, circle there and move 4 steps backwards to the periphery and circle again. If we start as described, the dance ends outside in the big circle and there is something like an unconscious movement (step) towards the centre. By starting immediately with the singer, we end up in the centre which is a very sensitive spot and, as I feel, not so good a place for ending the dance, because, unconsciously, when the music ends, there will be a movement away from the centre. The circling is a very delicate part of the dance. If somebody sways instead, neighbours are forced to sway, too, thus being prevented from circling. According to Dr Bach, elm is the remedy which helps people who feel overwhelmed by responsibility.The Elm Dance Video Project
The Gift of the Emptiness BowlLast week I received a special present. Ulli, a dance therapist who is assisting me for several years in different workshops, gave it to me as a sign of gratitude. She also has been in my evenig classes of WTR in July. She knows the story of the elm dance since 2 years. Being assistant is always a much sought-after job, so she was thinking about a very special sign of "thank you". This year she got the idea and asked her Dad to work for her. Ulli?s Dad is retired and had severe surgeries because of cancer. Ulli is always worried about him. His profession is carpenter. Ulli told him the elm dance story and asked him to make a bowl of elm wood for me. It is not so easy to find applicable elm wood, so Dad started in autumn to work on the bowl, when he finally had got the wood. He owns a special turning lathe, which runs foot-operatedly. He saved this precious turning lathe, when he had to flee from East Germany to the south in the last days of the second world war. So he was turning the wood when suddenly the lathe was blocked. He paused and looked. A small pea-sized piece of metal had stopped the lathe. He realized: the part of elm wood, he had found for the bowl, had been "injured" by this metal. He had worked with a "hurt tree". Inside the tree was the violation. He went on turning the wood and "healed" the injury. He made a wonderful bowl and he took the metal piece and put it into a small black pouch of leather for me. He was very touched because something like this had never happened to him before. Coming home with this beautiful wooden bowl, my husband, who is a blacksmith, immediately recognized what the pea-sized silvery glimmering metal was: a shell splinter. Most likely from second world war. It had waited within the elm tree for a long time to be cut, to be discovered, to speak about war and to be healed by turning and turning. Ulli did not know anything about my kind of despair work in the Intensive in August this year. And she did not know about my challenging time in autumn with a long time of disease, "desintegration" and emptiness. In a jiffy I knew what this bowl is for: It will be the center of each elm dance I will dance in future. And it will be the symbol of expressing emptiness in the truth mandala. I hope that many people will hold this bowl in their hands and realize: emptiness can be filled. Dear Joanna, this year 2009 was not an easy one. I did a lot of despair work: I had a very challenging time of "burn out" with the basic feeling of "emptiness". This bowl is like the essence of this year. After such a lot of "despair work" the "seeing with new eyes" will take place: Healing is possible, if you face reality - the fact of war and all other disasters of mankind - and if you go on turning, turning yourself to new dimensions, new insights, new ways. This is how it goes in the great turning! Barbara Hundshammer as shared with Joanna |
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